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Home Blog Captain William Clark

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Below you'll find a list of all posts that have been tagged as “Captain William Clark”

Recto and Verso: Dinah Allen

Recto – George Caleb Bingham When George Caleb Bingham painted her portrait in 1835, Dinah Allen was 32 and pregnant with her eighth child. Her ancestors included Captain William Clark of the Lewis & Clark Expedition and James Clark, a governor of Kentucky (1836 – 1839). When her husband Shubael died in 1841, Dinah remained at their plantation, Allen’s Landing, …

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Captain William ClarkDinah AllenDinah Ayres TriggGeorge Caleb BinghamMcClintock

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Fine Art Investigations
4 weeks ago

Fine Art Investigations

Photograph taken on a research break.
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Photograph taken on a research break.
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Fine Art Investigations
1 month ago

Fine Art Investigations

Joseph Badger (1708-1765), who was influenced by Robert Feke, used Feke’s basic compositional style but forsook his simplicity. Badger created a complex background panel that resulted in a richer painting but a less engrossing portrait. His landscape backgrounds may have foreshadowed nostalgic wilderness paintings of the 19th century.

Joseph Badger, Mrs. Richard Kent (Hannah Gookin), ca 1746
Oil on canvas, 50 x 40 inches
Yale University Art Gallery 1941.251
Public Domain
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Joseph Badger (1708-1765), who was influenced by Robert Feke, used Feke’s basic compositional style but forsook his simplicity. Badger created a complex background panel that resulted in a richer painting but a less engrossing portrait. His landscape backgrounds may have foreshadowed nostalgic wilderness paintings of the 19th century. Joseph Badger, Mrs. Richard Kent (Hannah Gookin), ca 1746 Oil on canvas, 50 x 40 inches Yale University Art Gallery 1941.251 Public Domain
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Fine Art Investigations updated their cover photo.
1 month ago

Fine Art Investigations

Benjamin Franklin! by Robert Feke

The first great American-born artist was Robert Feke (~1707-~1752). Without the benefit of European training, the significant natural talent of this largely self-taught artist, enabled him to create masterful portraits. When Benjamin Franklin posed for Feke on the artist’s first visit to Philadelphia in 1746, both men were about 40 years old. Feke’s style in portraying Franklin, might be described as simple sophistication. In the tradition of formal portraiture, Feke depicted Franklin elegantly, emphasizing the man himself through the minimalist surroundings. Feke could have added numerous attributes to describe his very accomplished subject, but he did not. In the golden luster of Franklin’s wig, Feke’s painterly abilities are evident. His artistic refinement, which would remain unmatched until Copley.

Robert Feke, Benjamin Franklin, ca. 1746, Oil on canvas, 50 x 40.25 inches Harvard Art Museums, H47
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Benjamin Franklin! by Robert Feke The first great American-born artist was Robert Feke (~1707-~1752). Without the benefit of European training, the significant natural talent of this largely self-taught artist, enabled him to create masterful portraits. When Benjamin Franklin posed for Feke on the artist’s first visit to Philadelphia in 1746, both men were about 40 years old. Feke’s style in portraying Franklin, might be described as simple sophistication. In the tradition of formal portraiture, Feke depicted Franklin elegantly, emphasizing the man himself through the minimalist surroundings. Feke could have added numerous attributes to describe his very accomplished subject, but he did not. In the golden luster of Franklin’s wig, Feke’s painterly abilities are evident. His artistic refinement, which would remain unmatched until Copley. Robert Feke, Benjamin Franklin, ca. 1746, Oil on canvas, 50 x 40.25 inches Harvard Art Museums, H47
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Fine Art Investigations
1 month ago

Fine Art Investigations

The first great American-born artist was Robert Feke (~1707-~1752). Without the benefit of European training, the significant natural talent of this largely self-taught artist enabled him to create masterful portraits. When Benjamin Franklin posed for Feke on the artist’s first visit to Philadelphia in 1746, both men were about 40 years old. Feke’s style in portraying Franklin, might be described as simple sophistication. In the tradition of formal portraiture, Feke depicted Franklin elegantly, emphasizing the man himself through the minimalist surroundings. Feke could have added numerous attributes to describe his very accomplished subject as he did in the portrait of Rhode Island land-holder Simon Pease, but he did not. In the golden luster of Franklin’s wig, Feke’s painterly abilities are evident. His artistic refinement, which would remain unmatched until Copley, can be more fully seen in the clothing of the Unknown Woman.

Robert Feke, Benjamin Franklin, ca. 1746, Oil on canvas, 50 x 40.25 inches Harvard Art Museums, H47

Robert Feke, Portrait of a Woman, 1748 Oil on canvas, 49.5 x 39.5 inches Brooklyn Museum, Dick S. Ramsay Fund and Museum Purchase Fund, 43.229

Robert Feke, Simon Pease, ca 1749 Oil on canvas, 50.12 × 40.12 inches, National Gallery of Art, Washington, DC, 2014.136.96
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The first great American-born artist was Robert Feke (~1707-~1752). Without the benefit of European training, the significant natural talent of this largely self-taught artist enabled him to create masterful portraits. When Benjamin Franklin posed for Feke on the artist’s first visit to Philadelphia in 1746, both men were about 40 years old. Feke’s style in portraying Franklin, might be described as simple sophistication. In the tradition of formal portraiture, Feke depicted Franklin elegantly, emphasizing the man himself through the minimalist surroundings. Feke could have added numerous attributes to describe his very accomplished subject as he did in the portrait of Rhode Island land-holder Simon Pease, but he did not. In the golden luster of Franklin’s wig, Feke’s painterly abilities are evident. His artistic refinement, which would remain unmatched until Copley, can be more fully seen in the clothing of the Unknown Woman. Robert Feke, Benjamin Franklin, ca. 1746, Oil on canvas, 50 x 40.25 inches Harvard Art Museums, H47 Robert Feke, Portrait of a Woman, 1748 Oil on canvas, 49.5 x 39.5 inches Brooklyn Museum, Dick S. Ramsay Fund and Museum Purchase Fund, 43.229 Robert Feke, Simon Pease, ca 1749 Oil on canvas, 50.12 × 40.12 inches, National Gallery of Art, Washington, DC, 2014.136.96Image attachmentImage attachment
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Interesting to see a portrait of Ben Franklin at 40. He is usually seen as an older man with grey hair.

Fine Art Investigations
1 month ago

Fine Art Investigations

Another European presence in the New World were Swedes who settled in New Sweden, now Delaware. Swedish artist Gustavus Hesselius (1682-1755) came to the new world from Sweden in 1712 when he was 25. In his older subjects, he added a realism not often seen at the time. Around 1742, he portrayed Dr. Gustavus Adolphus Brown (1689-1762), 53, of Maryland. Brown appears to be the proper gentleman, but one who is also tired and perhaps careworn.
The artist’s son, John Hesselius (1728-1778), became a fine artist. The subject’s son, Dr. Gustavus Richard Brown (1747-1804) became one of George Washington’s physicians.
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Another European presence in the New World were Swedes who settled in New Sweden, now Delaware. Swedish artist Gustavus Hesselius (1682-1755) came to the new world from Sweden in 1712 when he was 25. In his older subjects, he added a realism not often seen at the time. Around 1742, he portrayed Dr. Gustavus Adolphus Brown (1689-1762), 53, of Maryland. Brown appears to be the proper gentleman, but one who is also tired and perhaps careworn. The artist’s son, John Hesselius (1728-1778), became a fine artist. The subject’s son, Dr. Gustavus Richard Brown (1747-1804) became one of George Washington’s physicians.
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George Caleb Bingham, Mrs. John Harrison (Elizabeth McClanahan), 1839 (87)